“Why would you want the guy who is good at coding to decide what we all do? Why would you want the guy who built the pyramids to actually run Egypt?” — Noam Cohen
The war movie is back in vogue. Only this time it’s Hollywood turning its guns on Silicon Valley. There’s the four-hour Musk doc, an upcoming Sam Altman satire entitled Artificial, Nathan Fielder’s love/hate Elizabeth Holmes picture, and now The Social Reckoning, Aaron Sorkin’s assault on the Facebook-Zuckerberg complex. The Sorkin movie is, of course, a follow-up to the 2010 biopic, The Social Network, which he wrote. Sorkin both writes and directs the sequel. If he turns it into a trilogy, Sorkin should probably star as Zuck.
Brooklyn-based Noam Cohen, former New York Times tech writer and author of The Know-It-Alls, has seen both Sorkin movies. His critique is that The Social Reckoning is a passive-aggressive legal brief with the wrong defendant. He notes that Zuckerberg is barely in it. The movie’s heroes are a Wall Street Journal journalist and an internal Facebook whistleblower. But the drama, Cohen argues, is about whether anyone can reach a man who built the attention economy, but pays attention to nobody. The problem is that Zuckerberg is played by Jeremy Strong as a robot. So it’s an AI movie without the bots. The only drama in Strong’s Zuck is his absence of drama.
Noam Cohen thinks that Sorkin’s The Social Network got the origin story wrong, which he explains more fully in a recent Harvard Magazine piece. Cohen, who also went to Harvard, argues that Facemash didn’t represent Zuck’s wounded masculinity. Instead, it was a test of how to lure an audience, and those first weeks of TheFacebook were spent tuning the thing for addictiveness. So there’s nothing accidental about the accidental billionaire.
My own take on Sorkin’s two movies is that in the first, Zuck comes across as the randy son of a NY dentist, while in this latest one, he matures into that dentist. The kind who barely talks, pulls out all your teeth, and then charges you a fortune. All for your own good, of course. As if he’s doing you a favor. Just as Hollywood is doing all of us a favor by turning a NY dentist’s son into the Antichrist. Do we really need this kind of altruistic war movie? I think not.
ABOUT KEEN ON AMERICA
Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. With 3,000 episodes since the show launched on TechCrunch in 2010, Keen On America is a daily conversation about the ideas, books and arguments shaping the United States. New episodes every day.
CHAPTERS
00:00 — Intro
02:01 — How little Zuckerberg is in it
03:56 — Why The Social Network got it wrong
04:30 — Facemash as audience research
07:16 — A legal brief against social media
10:38 — The $17 billion flea
13:40 — A world without friction
15:51 — Jeremy Strong and the MMA Zuckerberg
21:08 — Against the neurodivergent explanation
25:00 — The peer he no longer has
25:57 — Augustus, not Genghis Khan
28:30 — Jimmy Wales and the last good story
30:10 — Nicholson Baker’s Wikipedia phase
32:13 — Out of ten
33:22 — Closing